Theory has nothing to do with it –

In the early 1960s, Agnes Martin’s geometric compositions evolved into what would later be seen as her signature style: the square grid. Referring to these paintings, the critic Lucy Lippard described them as ‘legendary examples of an unrepetitive use of a repetitive medium’. More and more I excluded from my paintings all curved lines, until finally my… More Theory has nothing to do with it –

Happiness is being on the beam with life – to feel the pull of life

I write and underline in every interesting book I read. Making notes in beautiful art-books is obviously rather foolish, but if I’m to engage with what I read, I need to have a pen in hand, to scribble. This is also why I much prefer paper to digital books.  The text above is an excerpt… More Happiness is being on the beam with life – to feel the pull of life

Agnes Martin

I am about to start working on an essay on the painter Agnes Martin. Agnes Martin is currently (3 June – 11 October 2015) on show at Tate Modern, London. Following the presentation at Tate Modern, the retrospective will travel to Kunstsammlung NRW, Düsseldorf; the Los Angeles County Museum of Art; and the Solomon R. Guggenheim… More Agnes Martin

art and “experience”

new ideas for my personal aesthetics – as always; snitched … “Insofar as I was interested in the arts I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf,” Ben Lerner: Leaving the Atocha Station (2011) Descent from the Cross – Detail Mary Magdalene In Leaving the Atocha Station, the… More art and “experience”


I am in the process of inventing a personal aesthetics through stealing go HERE if you want to check out my sources . from Jane Hirshfield: Ten Windows: How Great Poems Transform the World